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Live
Venue address
Bankside Saleroom
Love Lane Industrial Estate
Cirencester
GL7 1YG
United Kingdom
Antiques & Interiors with Pictures - Two Day Sale (Cirencester)
Auction dates
Oct 20, 2026 10:00 AM BST
Lots: 1-999
Oct 21, 2026 10:00 AM BST
Lots: 1000+
Viewing dates
Oct 16, 2026 10:00 AM - 04:00 PM BST
Oct 17, 2026 10:00 AM - 01:00 PM BST
Oct 19, 2026 10:00 AM - 04:00 PM BST
Oct 20, 2026 09:00 AM - 10:00 AM BST
Oct 21, 2026 09:00 AM - 10:00 AM BST
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Buyer's premium
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25 % |
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Online commission
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3 % |
| Storage fees may be applied for lots not collected by Monday 26th October unless prior notice is given. | |
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Small items contact; mjmpost458@gmail.com or |
| Mailboxes Etc Cheltenham 01242 530130 | |
| Large items contact the office for details | |
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We found 182 items matching your search
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Featured lot
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37
English porcelain framed topographical plaque, circa 1820, probably Worcester, painted with a view of Warkworth Castle, titled verso, in giltwood frame, 13 x 16.5 cm Good condition. No obvious signs of damage, cracks, chips etc. Some accretions and would benefit from a gentle clean. General wear and tear.
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57
Burmantofts majolica jardiniere stand, late 19th century, impressed mirrored monogram mark/England/shape no.2051B/D, painted 601 no.80/6, moulded with broad blue flowers and greens, reserved against a textured turquoise ground within strapwork cartouches and geometric swag borders, 69cm high
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Group of English black basalt teawares, late 18th/early 19th century, various impressed marks, including: a baluster coffee-pot moulded with fable scenes, attributed to Neale & Co.; two oval sugar-bowls and one cover, wave & shell-moulded, one with classical figures, impressed No. 36 attributed to Keeling; two baluster fluted engine turned coffee-pots and covers; an oval teapot moulded with bricks, balustrades, columns and cartouches, an engine turned teapot and cover and other items (9)
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97
Various items of Liverpool blue and white porcelain, circa 1770, comprising: a Philip Christian's factory slop-bowl, painted with chinoiserie flower-sprays, 16 cm. diam., a coffee-cup with Birds in Branches and a teabowl printed with chinoiserie figures within scroll cartouches.; a Pennington's teabowl printed with fruit and flowers; a Chaffers Trifid pattern teabowl, a coffee cup printed with cell pattern and a Caughley Fence pattern teabowl (7)
Pennington's cell pattern coffee-cup - ok. Christian's coffee-cup - very minor hairline crack to handle, chipping to footrim beneath the glaze which occurred at the time of manufacture. Christian's bowl - hairline crack to rim. Chaffers' teabowl 'Trifid' pattern - rim chipping and spreading hairline crack. Christian's teabowl with chinoiserie figures- cracked across and restuck. Pennington's fruit pattern teabowl - cracked and riveted across. Caughley Fence pattern teabowl - rim chip. Some typical surface wear overall.
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125
Chinese Export porcelain famille rose cylindrical mug and a London-decorated Chinese Export soup-plate, circa 1775-1800, the mug painted with figures on terracing within lobed quatrefoil cartouches, on a blue foliate pattern ground (replacement wicker handle), the soup-plate painted in the style of James Giles with fruit, flowers and leaves, 23.5 cm diam.
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Mid-century Scandinavian-style amethyst tinted double-lipped bowl of compressed form, 41cm wide
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Group of Chinese blue and white porcelain including a Tek Sing-type plate, 18th/19th century, painted with stylised flowers, bamboo and insects, a blue and white bowl painted with lotus and lappet-pattern, the underside with hatched sealmark and another similar smaller (restored), a blue and white provincial bowl, decorated with cartouches of shrubs and geometric pattern borders, late Ming/early Qing Dynasty and a blue and white bowl with circle and dot pattern, possibly Ming together with a celadon glazed flared bowl , 16.5cm diameter (some damages and restoration) (6)
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166
Japanese imari dish , 19th century, painted to the centre with a phoenix amongst clouds, within a border of lappet-shaped cartouches, stylised fish and flaming pearls, within an iron-red and gilt foliate-shaped border, 32cm diameter and a Kutani-type dish decorated with the hundred scholars pattern centred by a phoenix, enriched in gilding, the reverse inscribed in iron-red Quong.Hing, 35cm diameter (2)
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219
Modern white plaster bust of Hermes, 44cm high, together with a synthetic resin bust of Apollo, 23cm high (2)
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Two similar carved folk art-style wooden plaques, distressed polychrome-painted, in the form of winged putti or cherubs with fruits and foliage, 40cm high
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19th-century European carved wooden sculpture of a bearded monk or elderly man, dressed in a hooded habit and holding a scroll in his hand. on a circular stepped base with three paw feet, 58cm high
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257
Reconstituted stone sculpture of The Bather after Etienne-Maurice Falconet, produced by Artform, model no. BAT40, 42cm high together with an Italian resin model of the Three Graces, resin model of Venus, plaster bust of Diana and a plaster cubist-style bust of a man praying, 30cm high (5)
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259
In the manner of Claude Michel Clodion, bronze model of a reclining nude woman, stamped Clodion to end, engraved signature on the back of the plinth base, 25cm high x 42cm long
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Indian brown sandstone carved figure of a celestial dancer or temple figure, 26cm high
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Two Marcus Designs plaster relief plaques, one depicting jousting medieval knights on horseback and the other charging medieval knights on horseback, largest plaque 30cm x 51cm and framed
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Watkins Bee meter, for photographic exposure, in its original box with disc refill tin
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380
Edward Ardizzone (1900-1979).
Colour lithograph on paper
"Shelter Scene", 1941, showing crowds of people sheltering underneath railway arches, published by The National Gallery, printed at the Baynard Press, framed and glazed, mount aperture 74cm x 99cm
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381
Y PG (20th century)
Mixed media collage
Abstract composition with Asian characters, initialled PG lower right, framed and glazed, mount aperture 33.5cm x 27cm
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J.H. Wiley (20th century)
Etching
"St. Pauls from Watling Street", signed and titled within margin, framed and glazed, mount aperture 24cmx 12cm, together with another etching by the same hand "Entrance to Inner Temple, Fleet Street", signed and titled within margin, framed and glazed, mount aperture 23.5cm x 12cm (2)
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Thomas Lewis Atkinson (1817-1898) and Frederick Stackpole ARA (1813-1907) after Sir Edwin Landseer (1802-1873)
Mixed technique engraving with lithography
"Time of War", with signature of Landseer in pencil lower right, framed and glazed, mount aperture 54cm x 83cm
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385
After Sir William Russell Flint (British,1880-1969)
Colour print
"White Interior, Chateauneuf-sur-Loire", signed in pencil lower right and with FATG blindstamp, framed and glazed, 52cm x 68cm
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386
After Sir William Russell Flint (British,1880-1969)
Colour print
"Gossip After Market, Perigord", signed in pencil lower right and with FATG blindstamp, framed and glazed, 52cm x 68cm
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Y After Norman Thelwell (1923-2004)
Colour print
Four signed limited edition colour prints to include “Taking Cover”, signed and numbered 564/850 within margin, framed and glazed, mount aperture 24.5cm x 32.5cm, "Point-to-Point", signed and numbered 420/850, "Down by the River", numbered 495/850 and "Figure Head", numbered 199/850 (4)
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387
Y Kit Falla MBE FPS (British, b.1924)
Woodcut
"The Birds' Garden", artist's proof, signed and titled within margin, framed and glazed, 40.5cm x 45.5cm
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20th century lino print depicting three fishing boats moored in a harbour, unsigned, framed and glazed, mount aperture 58cm x 42cm
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389
After Elisabeth Sonrel (1874-1953)
Colour print
Pair of Art Nouveau prints titled "Summer" and "Autumn", depicting females in white dresses gathering flowers, framed and glazed, image size 59.5cm x 23cm (2)
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390
Master of the Die (fl. 1525–1560) after Raphael (1483-1520)
Engraving
Set of four plates from the 'Giochi di Putti' or the 'Tapezzerie de Papa' (The Tapestries of the Pope) tapestry designs made for Pope Leo X, published c.1602 by Giovanni (Joannes) Orlandi, framed and glazed, mount aperture 22.5cm x 30cm (4)
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391
After Henry Strafford, engraved by J.W. Giles (19th century)
Hand-coloured lithograph
"Three Prize Wethers", published by Fores, framed and glazed, image size 46cm x 59.5cm
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Kaigetsudō Doshin (act.1710-1720)
Woodblock print
Study of the Courtesan for the 9th month, labeled Nihon giga Kaigetsu matsuyo Doshin, seal with Doshin. Publisher's mark Nakaya, Tôriabura-cho, framed and glazed, sheet size 61.5cm x 33cm
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395
Possibly Kunisada III (1848-1920)
Coloured woodblock print
Depicting a lady reading before trees , a pavilion and the sea, inscribed Mount Atago, 19 cm x 12.5 cm
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396
Y Kawase Hasui (Japanese, 1883-1957)
Woodblock print
"Onuma Park, Hokkaido" from the collection of prints "Scenic Views of Japan, Eastern Japan Edition", c.1934, signed Hasui and sealed Kawase, framed and glazed, mount aperture 35.5cm x 23.5cm
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401A
C.E. Palmer (20th century)
Etching on paper
Study of a female nude , numbered II II P 29, signed in pencil lower right, 17.5 cm x 11.5 cm exc. margin, framed & glazed
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402
Y Paul Henry (Irish 1876-1958)
Colour lithograph
'A Connaught fishing village', signed in pencil by the artist lower right, blind stamp lower left, titled in pencil verso, unframed, 56cm x 63cm
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403
James Humbert Craig, RHA (1877-1944)
Colour lithograph
"Loughanure, Co. Donegal,", signed by the artist and with, published by Frost and Reed, unframed, 62cm x 75
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404
After James Humbert Craig (British 1877-1944)
Colour lithograph
"County Donegal - Arranmore from the Rosses", published by Frost & Reed, unframed, 62cm x 74.5cm
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405
A. Camacho (20th century)
Watercolour
Seven watercolours depicting various scenes with traditional Canarian figures in folk attire, signed lower right, framed and glazed, single image size 13cm x 13cm
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406
J. Arrowsmith (19th/20th century)
Watercolour and gouache
Four floral studies, signed lower right, framed and glazed, largest mount aperture 53.5cm x 35cm, J. Arrowsmith was a ceramic artist in Stoke-on-Trent. (4)
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Charles Edmund Brock (1870-1938)
Watercolour
Three humorous hunting scenes, "A Difference of Opinion", "Fixed" and "Gentle Persuasion" each signed, framed and glazed, 11.5cm x 17cm
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407A
Y Alfred Birdsey (1912-1996)
Watercolour and ink
Two coastal scenes, signed lower right, unframed 49.5cm x 66cm, together with a limited edition edition colour print of racing yachts by the same hand, signed, dated 1975 and numbered 4/20 within margin, unframed, 47cm x 56cm (3)
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After Anton Johann Nepomuk Seder (1850-1916)
Chromolithograph, gouache and watercolour
Owls in spruce with full moon, framed and glazed, image size 44cm x 31cm, together with another titled 'Waterlillies and Crayfish', framed and glazed, image size 44.5cm x 31cm (2)
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Esdaile Hudson (b.1937)
Watercolour
Study of blue tits and wren in foliage, signed lower right, framed and glazed, mount aperture 33.5cm x 24.5cm
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410
David Cox (1783-1859)
Chalk and watercolour on paper
Pastoral scene with buildings and figures in wooded river landscape, framed and glazed, 9cm x 12cm
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411
June Stevens (20th century)
Watercolour
"Ptarmigan - Speyside", signed and dated 1975 lower right, framed and glazed, mount aperture 27cm x 36.5cm, together with four further watercolours from various artists (5)
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James Levin Henry (1855-1929)
Watercolour
"Padstow", coastal scene, signed and dated 1893 lower right, titled lower left, framed and glazed, mount aperture 24cm x 34cm, together with Victor Wyatt Burnand (1868-1940), watercolour, Alpine landscape with snowcapped mountains, signed lower left, framed and glazed, mount aperture 27cm x 41.5cm, and a watercolour by William Pretyman (1849-1920), snowcapped mountainous lake landscape with dwellings on far bank, signed lower left, framed and glazed, mount aperture 28.5cm x 37cm (3)
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413
Kaye Charles-Roberts (Australian, 20th century)
Oil on board
"Remnants of the Past", view of old farm building in landscape, signed lower left, framed and glazed, mount aperture 21cm x 34cm
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414
W. Ralph Murray (American, 20th century)
Watercolour
"January Thaw", snowy rural scene with farm buildings, signed lower right, titled verso, framed and glazed, mount aperture 26cm x 55cm
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415
Y Aubrey R. Phillips RWA (British 1920 - 2005)
Pastel on paper
Mountainous river landscape, signed and indistinctly titled lower left, framed and glazed, image size 50.5cm x 70.5cm
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Kitty Mulder (contemporary)
Watercolour
'English Rose, White', signed lower right, retains original invoice from Sarah Samuels Fine Paintings, framed and glazed, mount aperture 30cm x 33.5cm
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417
Marnitz Steyn (South African, 20th century)
Watercolour drawing
Study of cattle in a field, signed and dated '08 lower left, framed and glazed, mount aperture 36.5cm x 54cm
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Attributed to Lady Theresa Talbot Laing (1831–1913)
Watercolour
"Winter Evening, Etal Manor, Northumberland", unsigned, inscribed verso, framed and glazed, mount aperture 32cm x 49.5cm
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Y William M. Ball (British, 1923-2008)
Watercolour
Maritime scene depicting a tall masted ship anchored off a coast, two fishermen in foreground, signed and dated '87 lower right, framed and glazed, mount aperture 24cm x 3.5cm
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420
19th century English school
Watercolour drawing
'Mrs Wilde', three-quarter length portrait of an elderly woman seated wearing lace bonnet, indistinctly inscribed 'Mrs Wilde, Birmingham....' lower left, framed and glazed, mount aperture 16.5cm x 13cm
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420A
Y James Fletcher-Watson R.I. R.B.A. (1913-2004)
Watercolour
"Approach to Windrush", signed lower left, bears artist label with hand written title and dated 1985 verso, framed and glazed, mount aperture 23.5cm x 35.5cm
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20th century school
Gouache on paper
Two Moorish scenes with male and nude female, possibly depicting scenes from Le Jardin des Caresses by Franz Toussaint, unsigned, framed and glazed, mount aperture, 24cm x 19.5cm
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421A
Indian or Persian Mughal-style painting on silk depicting a hunting scene with elephants and riders, tigers and huntsmen within a gilt floral border, framed and glazed, image size 41.5cm x 145cm
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Ricciardo Meacci (1856-1938)
Watercolour and gouache, highlighted with gilt
'The Garden of Hesperides', signed lower right, framed and glazed, mount aperture 19cm x 32cm
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19th century school
Watercolour
Village scene with figures in street, Devonport Church in distance, indistinctly signed and dated lower left, framed and glazed, mount aperture 21cm x 31.5cm
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Joseph Hughes Clayton (1870-1930)
Watercolour
"Near Henley-in-Arden", rural scene with thatched cottage and female figure feeding chickens, signed lower left, framed and glazed, mount aperture 28cm x 46.5cm
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425
J.G. (19th century)
Watercolour
three-quarter length portrait of a young gentleman seated wearing traditional 19th century academic or formal attire, initialled and dated 1837 lower right, framed and glazed, mount aperture 27cm x 20cm
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426
Sidney Baker (19/20th Century)
Watercolour
Continental town canal scene with buildings and church in distance, signed and dated 1890 lower left, framed and glazed, mount aperture 34cm x 24cm
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