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Live
Venue address
Bankside Saleroom
Love Lane Industrial Estate
Cirencester
GL7 1YG
United Kingdom
Pictures, Antiques and Interiors - Two Day Sale (Cirencester)
Auction dates
Jan 21, 2025 10:00 AM GMT
Lots: 1-999
Jan 22, 2025 10:00 AM GMT
Lots: 1000+
Viewing dates
Jan 17, 2025 10:00 AM - 04:00 PM GMT
Jan 18, 2025 10:00 AM - 01:00 PM GMT
Jan 20, 2025 10:00 AM - 04:00 PM GMT
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We found 149 items matching your search
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Lotte Glob (1944-present) three ceramic sculptures titled 'Books of the Land', enriched in mottled blue and green crystalline and volcanic glazes, 42cm high x 35cm approx. (3)
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Three African wooden carved zebras , each carved to the bottom 'John', tallest 52cm high and an African hardwood carved figure of a man holding a bowl, 41cm high (4)
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After F. Barbedienne (1810-1892), a pair of French bronze figures after the Greek, 'Hippomene' and 'Atalante', cast in motion and standing on oval bases with oval slate stands, Atalante 34cm high
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Charlotte Mayer (Czech b.1929), patinated bronze sculpture titled ' Reed Drift ' limited edition no. 2/7, 63cm high x approx. 52cm diameter
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Quantity
1
Max bid
GBP
Estimate
2,000 - 4,000 GBP
Terence Coventry (1938-2017) bronze “Riders” 1989 (5 of 7), 66cm high x 63cm wide, with Gallery Pangolin receipt and certificate
From the collection of the late Maurice Costley
Terence Coventry was taught by Keith Leonard, former studio assistant to Barbara Hepworth, at Stourbridge School of Art. He studied at the RCA then spent 25 years farming in Cornwall, before returning to sculpture, with his first solo exhibition at the age of 71.
Condition Report Good condition, general wear and tear, see photos.
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Bronze figure of a lady dressed in a bonnet and dress with aperture to her pocket, on octagonal marble base, 20cm high
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Copy of Loreno Conforini 'Borghi Citta Castelli e Fortezze' , 1990 and a collection of loose pen and ink drawings, watercolours and a maritime oil on panel , all 20th century, unframed
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244
Henry Thomas Alken (1785 - 1851)
Set of four 19th century cockfighting coloured engravings, engraved by C B Stock
titled Fight, Death, Throat and Set Too
images measure 13cm x 17.5cm, framed and glazed
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245
After Mark Rothko (American, 1903-1970)
Lithograph poster
"Number 61 (Brown, Blue, Brown on Blue) 1953, printed in Germany 1999, framed and glazed, 80cm x 60cm, together with a colour offset lithograph poster after Julius Bissier "37 Befruchtungssymbol I (Cistsa)", 1937, printed in Germany 1996, framed and glazed, 80cm x 60cm
Property of Dunkirk Manor, Theescombe, Stroud
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246
Six framed coloured botanical engravings, including two 19th century hand coloured engravings with botanical studies with butterflies and insects, 18cm x 12.5cm (6)
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247
George Grainger Smith (1892-1961)
Etching
Two etchings, Gloucester Cathedral and Raglan Castle, both signed lower right, one framed and glazed the other unframed (2)
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Signed David Shepherd (1931-2017) print, 'Westminster '66 - London's Red Buses', signed lower right in pencil, 35cm x 51cm
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20th century school
Etching on paper
"Bison", artist's proof, titled, indistinctly signed P. Stewart? to mount, 34cm x 47cm
Condition Report Browning to areas on print. Foxing to the signed mount. Possibly some fading/discolouration. General wear and tear
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250
After Fleur Olby (contemporary)
Colour print
"Grass", unsigned, dated 2000, framed and glazed, image size 69cm x 99cm
Property of Dunkirk Manor, Theescombe, Stroud
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251
After Helmut Newton (1920-2004)
Photographic print
Framed portrait of David Bowie, a crop of the original 1982 image, 49.5cm x 33cm
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After Joseph Friedrich Leopold (1668/69-1726/27)
Hand-coloured engraving
Amsterdam, No. 20, 20.7cm x 30.5cm
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253
After Cecil Aldin (1870-1935)
The Fallowfield Hunt, The Hunt Supper
Print, published by Lawrence & Bullen, London
49.5cm x 73cm, together with a mountainous river landscape print after Thomas Kennedy (2)
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After Sir Alfred James Munnings (1878-1959)
Arrival of Gypsies at Epsom
Colour print, signed in
pencil lower right
40.5cm x 51.5cm
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255
20th century school
Etching and aquatint
Landscape with flying female figures morphing into birds, factory in distance, limited edition numbered 119/125, indistinctly signed and dated '08 in pencil within margin, framed and glazed, mount aperture 37cm x 45.5cm
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256
After Marc Chagall (1887-1985)
Lithograph poster featuring "The Lovers" from the Tel Aviv museum of art collection, framed and glazed, image size 85.5cm x 51cm, together with After Kees van Dongen, offset lithograph poster featuring "The Princess of Babylon" from the Tel Aviv museum of art collection, produced by L. Maris 1993, framed and glazed, image size 87cm x 55cm (2)
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257
After Marc Chagall (Russian/French, 1887-1985)
Lithograph in colours
Couverture Jacquette (Mourlot 281) lithograph printed in colours, unfolded proof before the edition printed for 'Chagall Lithographe Vol. 1', This image served as the cover to the first volume of the catalogue raisonné of Chagall's lithographs, printed by Mourlot, Paris, on wove paper, framed and glazed, mount aperture 31cm x 53cm
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258
After Henry Alken (1784-1851)
Hand-coloured engraving
Hunting scene with horses and hounds jumping a fence, framed and glazed, image size 36.5cm x 48.5cm, together with after J. Pollard, colour print "Tom Moody", framed and glazed, image size 26cm x 34cm (2)
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259
J. H. Willy (19/20th century)
Etching
"Entrance to Inner Temple, Fleet Street", c.1900, signed and titled within margin, framed and glazed, mount aperture 24cm x 12cm, together with another etching by the same hand "St. Pauls from Watling Street", signed and titled within margin, a print of Exeter Guildhall and a watercolour signed Livock (4)
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260
Signed colour print, a nude portrait of Marylin Monroe, with Playboy International Images Legacy Collection blindstamp lower right, signed by Hugh M. Hefner in black pen lower left, 60.5cm x 50.5cm
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261
Three 20th century Chinese silk landscape paintings, one with sailing ships, another with ships in mountainous river landscape and the third with figures in a field, all with printed red seal marks, 27.5cm x 20cm (3)
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262
Kurt Meyer-Eberhardt (German, 1895-1977)
Coloured etching
Three animal studies to include a fox cub, foal and fawn, each signed in pencil lower right, framed and glazed, 41.5cm x 35cm (3) Condition Report Fawn - Substantial water stains, areas of fading/discolouration, browning to paper.
Foal - Water stain to bottom right corner, fading/discolouration, browning to paper.
Fox - Water stain to bottom right corner, fading/discolouration, browning to paper, area of foxing to right side.
General wear and tear.
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264
Coloured print of a puffin, Fratercula Artica (Steph), resting on a rock in the sea, with an egg lower left, possibly after John Gould (1804-1881), 27.5cm x 22.3cm
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After Thomas Rowlandson (1756-1827)
Two handcoloured engravings
Shoulder Arms , London & Westminster Dismounted Light Horse Volunteer, and another on horseback, published June 1798 at Ackermann's, 22.5cm x 18cm (2)
Featured lot
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After Samuel Walters (1811-1882)
Aquatint on paper
The Loss of the Pennsylvania New York Packet Ship: The Lockwoods: the Lockwoods Immigrant Ship: The Saint Andrew...near Liverpool, during the Hurricane on Monday & Tuesday Jan 7th & 8th 1839, 34 cm x 47.5cm
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267
After Valerie Thornton (1931-1991)
Aquatint on paper
Tewkesbury Abbey interior, no.60/70, signed and dated '86 lower right, 77cm x 55.5cm
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268
After Charles Nicolas Cochin the Younger (1715-90) & Jacques Philippe Le Bas (1707-83)
Engraving
"Port and Town of Le Havre", seen from the tower of Francois I, series of 'Les Ports de France', framed and glazed, mount aperture 55.5cm x 76.5cm, possibly a later 19th century edition
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After Thomas Rowlandson (1757-1827)
Two handcoloured aquatints on paper
Titled: Expedition or Military Fly , published 16 May 1798 at Ackermann's and The Light Horse Volunteers of London & Westminster , Commanded by Col. Herries, Reviewed by his Majesty on Wimbledon Common 5th July 1798, published 18 July 1798 by Mr H. Angelo, Curzon Street, London, 49.5cm x 63cm overall (2)
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270
After Robert Bowyer (1758-1834)
Three aquatints on paper
Waterloo, Pursuit of the French Through Leipsic (sic) on the 19th October 1813 and The Battle of Waterloo, View from Mont. St. Jean, all within verre eglomise giltwood frames, the largest 52cm x 75cm overall (3)
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Large framed print of lemons in a neoclassical two-handled tazza, printed signature 'Ida', within a giltwood frame, 129cm x 104cm
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Engineering plan 'West Elevation of His Majesty's Dockyard, Portsmouth with Part of the Common...', engraved by Thomas Milton, published 1754, 48.5cm x 65.5cm
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Six late 19th century framed and handcoloured botanical engravings, each within crowned and festooned border, each plate numbered, 15.5cm x 10.2cm
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276
After Edward McKnight Kauffer (1890-1954)
Vintage London Underground advertising poster titled 'Winter Sales Are Best Reached by Underground, after the original of 1921, printed Vincent Brooks, Day & Sons Ltd Lith. London, lower right, numbered ...9 1000.26.8.21 lower left (tears, taped repairs, small stains, and two lower corners cut down) 73.7cm x 45 cm
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Eric Tufnell (British, 1888-1978)
Watercolour drawing
"Sinking of the Yamato, April 7th 1945", signed lower right, titled lower left, framed and glazed, mount aperture 26cm x 37cm, retains original receipt and correspondence from The Parker Gallery, London.
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278
John Yardley (1933)
Watercolour on paper
Still life with flowers, signed lower left, 58cm x 45.5cm
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279
Daryl Christopher Nero (1946)
Watercolour and black ink on paper
View from Chizarira Safari Lodge , signed and dated Sept 2002 lower right, 36cm x 52.5cm
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280
John Yardley (1933)
Watercolour and pencil on paper
High Summer in the Park, signed lower left, 25.5cm x 38cm
With the Wykeham Galleries, Stocksbridge, labelled verso.
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George Mgona (21st Century)
Watercolour on paper
Pair of Hornbills, signed and dated 1997 lower left, 26.5cm x 73cm
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282
John Yardley (1933)
Watercolour on paper
Peonies and Columbine, signed lower left, 44cm x 33 cm
With The Wykeham Galleries, Stocksbridge, labelled verso.
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John Yardley (1933)
Watercolour on paper
Still life with daisies and wild flowers, signed lower righ, 46cm x 33cm
With the Wykeham Galleries, Stocksbridge, labelled verso.
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284
John Yardley (1933)
Watercolour and pencil on paper
Salisbury cathedral from Harnham, signed lower right, 32cm x 45cm
With the Wykeham Galleries, Stocksbridge, labelled verso.
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285
B. Mngu
Oil/paint on paper
Study of a woman cutting in the fields, signed B Mngu lower right, 37cm x 24cm
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286
Wycliffe Egginton 1875-1951
Watercolour on paper
Cattle grazing on moorland, signed lower right, 35.5cm x 53cm
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287
Fely-Mouttet (French, 1893-1953)
Charcoal on paper
Male figure seated with nude female on his lap, framed and glazed, mount aperture 48cm x 46cm Condition Report Some creases to the paper near centre. General wear and tear.
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288
Robert Tucker (1807-1891)
Watercolour
Boys on a beach in rocky landscape , signed lower left, 28.5cm x 43cm
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289
Late 19th century British School
Watercolour and pencil on paper
Two hunting scenes, with hounds chasing birds, 14cm wide (2)
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290
Late 19th century British School
View of Ben Cruachan , with a Highlander and fisherman, unsigned, 23cm x 31cm
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19th century school
Watercolour on paper
View of the Grand Canal with Basilica of Santa Maria della Salute, Venice, unsigned, 24cm x 33.5cm
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292
Andre Ragot (1894-1971)
Watercolour on paper
Mountainous landscape, circa 1930, signed lower left, labelled verso, 31.5cm x 39.5cm
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E. Matthews (mid-20th century)
Pastel on paper
January Afternoon, signed lower right, labelled verso, with exhibition label for The Royal Institute Galleries, London (sold for 14 guineas), 25 cm x 33 cm
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294
Eleanor Ludgate (British, 20th century)
Watercolour on paper
Three nature studies to include a tawny owl perched on a log, a great spotted woodpecker perched on a log and a tortoiseshell butterfly on a piece of wood, each signed, framed and glazed, artists label verso, largest mount aperture 40cm x 32cm (3)
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Two acrylic on fabric paintings , one depicting a road with palm trees, etc, the other a view of Venice, 26cm x 18cm (2)
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296
Jeanne Girard Condamin (19th/20th century)
Pastel on paper
Wooded landscape, signed lower left, 47.5cm x 31cm
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297
Ronald Lowe (1932-1985)
Watercolour and gouache on paper
Seascape I, signed lower left, 22.5cm x 30.5cm
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298
John Yardley (1933)
Watercolour on paper
Near the Rialto, Venice, signed lower left, 25.5cm x 34cm
With The Wykeham Galleries, Stocksbridge, labelled verso.
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